The Emmys aren’t until September so that gives the Game of Thrones fandom plenty of time to squabble and debate over the final season! Luckily this week has given us loads of material to work with. Emmys.com has published the series finale script online, since the episode was nominated for the writing award, GoldDerby has revealed the episode choice for many of the show’s stars who are nominated, and one nominated actress discusses her work on the last season.
The entirety of the script for season 8, episode 6, “The Iron Throne” can now be found online at the official Emmys site. The episode, written by showrunners David Benioff and D.B. Weiss, was a controversial nominee, for some. It’s always fascinating to pore over the scripts, as they show fans that writing is much more than dialogue. It shows how carefully planned the imagery is (like it or not).
Read over the script and see what strikes you!
GoldDerby always has the goods on awards season. They have the exclusive on which episodes the stars of GoT have chosen to submit to represent their work, for their nomination this year.
Best Actress nominee Emilia Clarke has submitted “The Last of the Starks” to Emmys voters, an episode in which Daenerys does a lot of heavy lifting and ultimately loses her friend. It’s more sympathetic than the darker, later episodes, so maybe it’s a strategic choice.
Best Actor nominee Kit Harington is submitting “The Iron Throne,” in hopes it will win him the Emmy. It was a dark moment for Jon Snow, with the killing of Daenerys and his conversation with Tyrion. Will it be enough? We’ll see.
Best Supporting Actor nominees:
Peter Dinklage has submitted the series finale “The Iron Throne” to rep his work. Since Tyrion carried the episode in a lot of ways, that makes sense.
Nikolaj Coster-Waldau has chosen “The Bells” for his nom. He did good work in the episode as Jaime, but it’s not going to be a popular fandom choice, I can tell you that.
Best Supporting Actress nominees:
Sophie Turner has submitted the season 8 premiere episode “Winterfell” for her nom. Sansa had a lot to do in “Winterfell” but it’s not as flashy as some other episodes.
Lena Headey unsurprisingly has submitted “The Bells” for her nom, which features Cersei’s end, with the destruction of King’s Landing.
Gwendoline Christie is submitting “A Knight of the Seven Kingdoms” for her nomination- which makes sense since it was Brienne’s big moment.
Maisie Williams and Alfie Allen have not revealed their Emmy choices, as far as I know. It’s difficult to imagine Allen choosing anything other than “The Long Night,” but stranger things have happened.
Carice van Houten returned for just one episode this year, bringing her flames back to Westeros and the side of good in “The Long Night. The actress talked to GoldDerby this week about Melisandre’s morality, the filming of the episode, and a lot more. My favorite tidbits though- who would she like to have seen Melisandre have scenes with?
She says, “So many. I would’ve loved to have scenes with Cersei. I’m so curious what those two women would be together, what kind of dynamic that would be, what kind of energy that would bring. Samwell Tarly would’ve been a fun scene, I think. He’s one of my favorite characters. Joffrey, but unfortunately that never happened. I don’t think it will ever happen.”
Imagine Mel having a normal chat with Sam. Or terrorizing Joffrey. That would be fun.
She tells GoldDerby, her final filming was the burning the trenches- “that was with a big green screen so it wasn’t very romantic or anything. She explains, “It was a very intense scene to do and it was mixed with my own emotions of it being my last scene and saying goodbye has never been my favorite thing in the world. It was quite a loaded day, you could say. A lot of tension had to come out after I’d done that scene and I just started crying like a baby. I didn’t really see that coming. I just was overwhelmed by emotion. I just couldn’t stop crying.”
For my last interview at Con of Thrones I had the privilege of chatting with none other than the Kingslayer himself, Nikolaj Coster-Waldau, who shared his thoughts on redemption, forgiveness and how those concepts apply (or don’t apply) to Jaime Lannister’s arc.
]“I think with Jaime’s arc, there’s been so much talk about how his was a redemption arc and I never saw that,” Coster-Waldau tells me. “I never saw him as a guy who needed redemption as such. I just saw him as a guy who had some very specific circumstances in his life … you know, the whole Kingslayer thing on the surface was about him being dishonorable. So now he needed to redeem himself because he did this horrible thing when, in fact, [killing the king] was probably his proudest moment.”
That’s not to say that Coster-Waldau believes Jaime had no arc, however.
“The big thing, of course, was losing his hand. That forced him to become a different version of himself,” he says. “He was a great fighter. He was always a great soldier. He was always a great son and brother. He would do anything for his family and he continued that but now he had to be smarter. He had to use his brains, he had to learn from his siblings, and from his father. One of the best moments, I thought, was when he captured Riverrun without killing anyone and also when he took all the gold from Olenna Tyrell. He accomplished a lot of very successful campaigns in his own right with his smarts and not his sword skills.
By season 8, Jaime Lannister had, indeed, changed drastically from the man who pushed Bran out of a window. But character development and self-improvement don’t necessarily equate to redemption.
“So, the redemption arc that people wanted, as I understand it is, was that he would become an all-out good guy who would then cut off his ties with his family or at least with his sister, join the good fight and then declare everlasting love of Brienne and they would stay together and that would then make him a good guy,” the actor says. “I think that’s a little … but that’s not Game of Thrones. I don’t’ believe that you can just erase your previous life because you go, ‘okay, now I’m going to be a good guy.’”
And according to Coster-Waldau, Jaime believed that redeeming himself would have required just that: erasing his past.
“What’s so beautiful about [his final] scene with Brienne is that when he says goodbye to her and she cries with this overwhelming sadness that this guy can’t acknowledge that it’s okay to be flawed,” Coster-Waldau says. “He has done horrible things in the name of love, as he calls it, but also in the name of existing in this crazy world that they live in but he can’t forgive himself.
“He can’t just cut off who he was, you know, and the idea of leaving his sister alone is just simply impossible to him. I think that’s very truthful to the character.”
Game of Thrones has been resting peacefully for about 2 months now, or at least it would, if only anyone would let it. In the wake of the finale, fan fervor, enthusiastically by all accounts positive or negative, has truly reached heights the likes of which haven’t been seen since LOST ended in 2010. While the Internet was certainly ablaze back then – “I wasted all these years of my life all for this crappy ending!” was a common phrase even back in those simpler times – now, in the age of thinkpieces and online watercooler-ing, it seems as though the negative voices have emerged ever victorious amidst the discourse. And such, we have found ourselves with an echo-chamber of over a million signatures, smugly adorning the fan-led petition to remake season 8 with “competent writers.” Thankfully, our very own Nathalie Emmanuel (Missandei) is firmly not on board.
Speaking with TVLine, Nathalie concedes that “[I]t’s totally fine if you don’t like something.” She, like all of us, is an audience participant in enjoying art. But she hits the nail on the head when she says of the petition: “You can’t ask for receipts on art. You just can’t. The art has been created for you, and you can either choose to like it or not.” I feel very similarly to her. You can talk to death about what it should have been, but ultimately it isn’t yours. It isn’t your art. It is someone else’s art that you were trying to enjoy. Maybe you didn’t. And that’s OK! So, create your own art.
Nathalie also discusses her final scenes, and what worked for her as an actor: “I was very grateful for the strength that she had when she left. That was a performance choice for me…She’s not going to be crying. She’s not going to be stereotypically scared. She’s scared, but she owns it.” I’m sure I speak for many of us when I say I extend a hearty thank you to Nathalie for pouring her soul into Missandei over the course of 6 seasons of television. Ultimately she was herself “blown away” by the finale.
Up next for Nathalie? She’ll lead the cast in Hulu’s upcoming miniseries re-remake of Four Weddings and a Funeral. Her American accent actually sounds pretty damn good in the trailer, something you don’t always see in most shows or movies. If she brings the same passion to this new project as she always did to Game of Thrones, then it could truly turn into something special.
Naomi Watts appeared on Jimmy Fallon’s late show recently, but divulged no details about the coming Game of Thrones prequel.
Filming may have wrapped on the pilot for the highly anticipated Game of Thrones prequel, but naturally, the cast still has to keep quiet until the series is both greenlit (slim chance of that not happening, if we’re being honest) and filming resumes on the rest of the episodes. Case in point: Naomi Watts, one of the prequel’s leads, deflecting like a boss on a recent appearance on The Tonight Show Starring Jimmy Fallon.
“Can we talk about the Game of Thrones prequel?” Fallon says in the clip, as the audience applauds. “Are we not allowed to discuss anything?”
“No,” Watts says, shaking her head — and the Oscar-nominated actress immediately shuts down any further discussion by turning to The Roots, Fallon’s house band, and shouting “Tequila!” The band obliges, launching into The Champs’ 1958 hit song.
“That’s the way to get out of it,” Fallon says after the song. “We won’t talk about it but I am very excited about it and congrats.”
Speaking of staying tight-lipped, HBO president of programming Casey Bloysconfirmed during the Television Critics Association press tour this week that the network is still considering “one or two more scripts” when it comes to additional Thrones spin-offs.
“We’re gonna see what happens with this one,” he said, referring to what is being called Blood Moon (as the network hasn’t confirmed this as the official title, we will continue to refer to it as a working or production title until we know for sure).
In addition, one of the prequel’s other leads, Miranda Richardson, spoke with Digital Spy recently and while she didn’t give away any plot details, she seemed enthusiastic about the “storytelling” aspect of the series and following in the footsteps of Thrones.
“I’ve loved the storytelling in that series, and the wish and the will is to continue that with a totally different set of elements and people,” she said. “The work has been phenomenal throughout and I’m thrilled to be a part of it.”
Axey, Oz of Thrones, Vanessa, JoeMagician, Pat Sponaugle, Petra, Bex and Samantha recorded a live episode of The Night’s Cast at this year’s Con of Thrones!
This year’s Con of Thrones may have come and gone, but there’s plenty of memories and lots of material to roll out, starting with a very special LIVE episode of The Night’s Cast, the official podcast of Watchers on the Wall!
The podcast was recorded Sunday, July 14th and included an all-star cast of contributors: Axey, Oz of Thrones, Vanessa, JoeMagician, Pat Sponaugle, Petra, Bex and Samantha. If you weren’t able to join us in Nashville, you can hear us talk all about our choices for Best Character Moments and hear a rousing rendition of “Happy Nameday,” sung in honor of Pat’s birthday!
**NOTE: If you have 10 minutes to spare, we’d love your help in getting nominated for the 2019 Podcast Awards! Visit their website and sign up for a free account to select The Night’s Cast from the Entertainment and People’s Choice categories (you can vote for us for both!). Nominations are open until July 31. If we get enough votes, we make the final ballot for August! Help us bring home some hardware for the bookshelf!**
It’s time once again for the TCA press tour- summer edition, when TV execs trot out their best lines for the gathered press, and we glean what we can about the future of our favorite shows! Casey Bloys, head of HBO Programming, was on hand this time to address questions about the Game of Thrones spinoff, the Emmys, and more.
According to Vanity Fair, Bloys states that spinoff showrunner Jane Goldman is “busy in the edit bay” now, since filming’s completed. Those who have been following the shooting of the new pilot are aware that filming finished mid-July in Italy, but the exec confirms it. “The only status I have for you right now,” Bloys said, “is that we finished shooting the prequel. [We’re] very excited by the footage we saw of the cast.”
He diplomatically addresses the Emmy nominations, and the fact that the network itself didn’t submit all the performers would up securing a nomination. According to him, the network is behind their actors whether or not they submitted them. He says, “Thrones is unique…because it has 20-something series regulars.” The gist of it is that, as many have assumed, the network doesn’t want their actors to cancel each other out. “There is some strategic thinking,” he said.
But he also noted that when it comes to those nominated- “we’ll help them out.”
I had the privilege of interviewing Jerome Flynn at this year’s Con of Thrones. We discussed his amiably amoral character, Bronn, what motivated him, and how Flynn imagines Westeros’ future will go with Bronn as its Master of Coin.
Reviewing all eight seasons, it’s quite possible that Bronn had the greatest social ascent of any character in Game of Thrones’ cast of thousands, beginning season one as a sellsword in a country inn and wrapping up season eight as the Lord of Highgarden and Master of Coin of the Six Kingdoms. While other characters’ goals evolved over time, Flynn says that Bronn remained “single-minded” in his pursuits.
“He had a strong intention which lead him through the whole show: he wanted his castle,” Flynn says. “He was clever. He followed the clues that were in front of him and took his chances when he had them. His last chance, when he was handed the crossbow, he turned into the bartering tool that he needed to seal the deal [for Highgarden] with the Lannister boys.”
He hastens to add: “I don’t think he would have killed them but he had to make them think that perhaps it was a possibility.”
Bronn and Tyrion’s relationship always did seem to walk a razor’s edge. Flynn believes Bronn did “have a fondness” for Tyrion, which he would have liked to have seen developed further in season eight.
“I got attached to a certain part of him in terms of his relatioships, let’s say, with Tyrion,” he says. “And I think I wanted him to be more heroic. But that was my personal thing. I thought it was an opportunity for Bronn to suddenly turn up next and save Tyrion’s life fighting the White Walkers. But then if I’d been the writer then the whole story probably would have gone completely differently.”
He adds: “I really respect [David Benioff and Weiss] for sticking to a certain element of Bronn that was out for himself.”
Bronn’s approach certainly paid off … literally! Bronn’s appointment as Master of Coin took many viewers by surprise but Flynn seems confident that Westeros’ economy will survive the experience, not because of Bronn’s financial savviness but because Tyrion will have his back.
“I think Tyrion might have taken him to one side after that last table meeting and said, ‘Come on, dude. We’ve got to play ball here, and you can’t just have everything you want.’” Flynn says, referencing Bronn’s push to reopen King’s Landing’s brothels. “I think he’s there because of Tyrion. I think Tyrion understands why he did what he did. So I would imagine Tyrion would be trying to counsel him.”
Emmy nominations are out, the Game of Thrones prequel continues filming, another year of Con of Thrones has come and gone — there’s plenty for The Night’s Cast, the official podcast of Watchers on the Wall, to chew over this week. So they dug in!
Join Vanessa, Samantha, Petra and Akash on this week’s episode, in which we discuss the highs and lows of the 32 Emmy nominations that Thrones garnered; the most recent prequel filming news (also known as the “Sam refuses to believe we WON’T we see the Rhoynar” segment); and the third annual Con of Thrones, including our favorite moments.
**NOTE: If you have 10 minutes to spare, we’d love your help in getting nominated for the 2019 Podcast Awards! Visit their website and sign up for a free account to select The Night’s Cast from the Entertainment and People’s Choice categories (you can vote for us for both!). Nominations are open until July 31. If we get enough votes, we make the final ballot for August! Help us bring home some hardware for the bookshelf!**
The final Game of Thrones Hall H panel at San Diego Comic Con may not have delivered any big revelations, but the con did provide an opportunity to show off the newest GoT merch and it brought out the show’s stars for a round of appearances and autographs, as always. Here is the panel recording, and the new products we have to look forward this year! Thankfully, the official Game of Thrones/HBO Facebook saved us all a trip to California by snapping pics of all the major GoT-friendly booths at SDCC. Let’s have a look!
USAopoly offers a sneak peek of their custom Game of Thrones chess set (booth #1028), coming soon and available for pre-order now. I love the look of this and I’m pretty excited about it.
The Chronicle Books booth ( booth #1506) displays several items, most of them already available such as the coloring book and Twin Pin sets. The new item is Game of Thrones: A Guide to Westeros and Beyond, The Complete Series, by Myles McNutt, available for pre-order currently and set to be released in November. Chronicle’s site describes the book as offering a “a unique and exciting visual exploration of the world of Game of Thrones,” and says the book is filled “with bold infographics, illuminating timelines, stunning photography and insightful essays.”
Check out the new Mega Construx sets at Mattel’s booth (#3029) featuring a full battle of ice and fire:
Take the Iron (gold?) Throne for yourself at Factory Entertainment’s booth (#2743), and enjoy their other Game of Thrones-inspired pieces while you’re there.
There’s a detailed new Daenerys figure at the McFarlane booth (#917). The 6-inch scale toy is available now. If House Stark is where your allegiances lie, head over to booth 2615 to check out the Stark Sigil Mini Sculpture from Dark Horse Comics.
Three Zero is continuing its incredible collection of Game of Thrones figures with Season 8. Visit them at booth #1929.
Titans is showing their new products including this exclusive three-pack of dragons at the con:
On Friday, at 5:30PM Pacific time, Game of Thrones stars Isaac Hempstead Wright, Conleth Hill, John Bradley, Maisie Williams, Jacob Anderson, Liam Cunningham and Nikolaj Coster-Waldau took to the stage in Hall H with Entertainment Weekly‘s James Hibberd acting as moderator. The cast did not field any audience questions this year (probably wisely since people were booing early on in the panel; not sure why anyone thought they would allow a Q&A after that?) but responded to a light set of questions. The cast seemed to have a good time, as they usually do when gathered. This appears to be a lighthearted and somewhat tentative victory lap rather than a serious postmortem. Given the hostile vibe from a portion of the crowd, it was probably a strange thing to walk into, as a moderator, an actor, or as a viewer. Overall, the cast handled themselves deftly.
Safe to say there will be no Thrones-ian presence at SDCC next year! (Unless you count the inevitable panel for The Eternals– good on you, Richard Madden!) Some of us were speculating at Con of Thrones about the release of the GoT prequel, assuming the pilot is successful and ordered to series. We probably won’t see a spinoff-connected SDCC panel until 2021 at the earliest, would be my guess.
At this year’s Con of Thrones, I had the opportunity to speak with Miltos Yerolemou, who is an absolute delight, not to mention a self-professed “big fan” of our own Night’s Cast podcast! We discussed Syrio’s impact on Arya Stark as well as Syrio’s enduring popularity within the fandom, owing, in part to the many fan theories surrounding the beloved dancing master.
Ever since Syrio’s ambiguous exit from Game of Thrones in season 1, fans have debated his fate: is he dead? Is he alive? Is he a faceless man of Braavos? Is he Jaqen H’ghar? The way Yerolemou sees it, these questions kind of miss the point. What matters is that Arya never learned what happened to Syrio and thus could never find closure.
“The point is that in Arya’s mind, Syrio is very much alive,” Yerolemou says, “In the same way that Jaqen and Sandor are … and of course her father: the four people who had a very profound influence on her.”
At the same time, Yerolemou concedes that David Benioff and D.B. Weiss did sort of troll fan theorists (“I’m joking, I’m joking. Not trolling,” he adds) when they gave Syrio his now famous and deliciously meme-able line: “What do we say to the god of death? Not today.”
“Syrio never mentions the god of death at all in the books,” Yerolemou points out. “As far as we’re concerned with the book character he is simply a bodyguard to the king or queen of Braavos. But then [Benioff and Weiss] put this scene in where he directly references this religious cult and, of course, it feels like, ‘Everyone who thinks that he might be Jaqen H’ghar, we’ve just given you a really big hint that maybe he is.’ I mean, that’s what it felt like.”
However we choose to interpret Syrio’s fate and identity, the First Sword of Braavos indisputably had a huge impact on Arya and shaped who she became.
“I love the bit [in season 8, episode 3, “The Long Night”] where the Hound is so scared he’s literally going ‘You can’t fight death’ during the battle and Beric goes, ‘try telling her.’ That’s so brilliant!” Yerolemou says. “This person who … finds a way through the fear and just stoically goes ‘I’m going to confront it’ … that’s all part of her story, the people who have influenced her.”
Swordplay was a pivotal part of Syrio and, consequently, Arya’s stories and Yerolemou speaks highly of Game of Thrones’ approach to fight choreography.
“The thing that I think I like the most and the thing that connects with me the most is ‘how do you create something that feels authentic?’” he says. “What I really like about how we approach sword fighting now when we create shows in this day and age … is [that it reflects] what really does happen in a duel.”
Miltos, waterdancing at Con of Thrones 2018
Moreover, figuring out how cultural background informs combat style i.e. “what does the Water Dance look like?” was a collaborative experience, as Yerolemou found when he and Maisie Williams showed Benioff and Weiss the choreography that they had worked out with fight choreographer, William Hobbs.
“They loved what we created and the only comment they made was just to make it a bit more dance-y,” Yerolemou says. “So we put a couple of spins in it because, while “dancing master” is a code, the Water Dance is still a dance.”
Lastly, I got to ask a Yerolemou a question that I had been harboring ever since my first viewing of season 1: how did he develop Syrio’s Braavosi accent?
“That was me doing an impersonation of my father who is Greek Cypriot,” Yerolemou answers. “And then me trying to change it enough so that you can’t tell if it’s a Greek accent or an Italian accent or a Spanish accent. Because I wanted it to sound like it was from a made-up land so I didn’t want it to be too specific. So I overly rolled my r’s. Sometimes when I watch it back and I go, ‘Oh God, what was I thinking?’”
With San Diego Comic Con this weekend, we have one final year of great GoT merch to pore over and enjoy. We’ll be taking a closer look at the HBO booth (and the highlights of an admittedly very chill panel) today, but first up: the shoes! Following the release of the house-inspired Ultraboost collection, Adidas celebrates the conclusion of Game of Thrones with the special For The ThroneAM4GOT sneakers and luckily, we’re getting to take a closer look at them!
The AM4GOT Adidas, created at the Adidas SPEEDFACTORY in Atlanta, displays a digital-print of the Iron Throne (pre-Drogon-meltjob) and the Season 8 promo-campaign motto “For the Throne.” As you can see, the shoe is dark with a blue/purple overtone, and it features the signature BOOST midsole. The AM4GOT will conclude the adidas X Game of Thrones collaboration.
How does the AM4GOT measure up? The colors are more subdued than they appear in promo shots but I think that’s a good thing in this case. The AM4GOT is a unique but wearable sneaker; the special details such as the icy midsole will be fun for fans and appreciated yet still practical for everyday wear.
The “For the Throne” tag is difficult to read, as it’s black-on-black and can’t really be seen in normal light. (I had to use a flash in this pic to make it even show up.) Some may like that, some may be disappointed by it. It’s a matter of personal taste. It’s certainly a comfortable shoe, that’s for sure! You could walk far-or run for your life- in Westeros with these.
Thank you to HBO & adidas for providing us with a pair for review purposes. The SPEEDFACTORY Game of Thrones x adidas AM4GOT is available now at Foot Locker and Adidas!
Nikolaj Coster-Waldau (Jaime Lannister), Maisie Williams (Arya Stark), John Bradley (Samwell Tarly), Isaac Hempstead Wright (Bran Stark), Jacob Anderson (Grey Worm), Liam Cunningham (Davos Seaworth), and Conleth Hill (Varys) will still be attending, according to the announcement.
Just yesterday, Game of Thronespicked up a record number of Emmy nominations for the final season of the show, with nominations for Sapochnik, Coster-Waldau, and Williams, among the many nods.
Portions of the fandom have gotten remarkably toxic during and since the airing of the final season, seeming to take pride in coordinating public attacks on the writers/producers of Game of Thrones. It wouldn’t be a surprise if Benioff and Weiss and some actors felt unsafe at SDCC.
On the upside, I saw very mature, intelligent discussions about season 8 happen at Con of Thrones, where people were able to debate the merits and dissenting opinions about the season and characters in a respectful fashion throughout the weekend. This fandom is mainly full of good people, and I believe the good still far outweighs the bad.
Yesterday Game of Thrones collected a truly astonishing – and record breaking – 32 nominations for its eighth and final season. Talk about going out with a bang! What’s even more incredible is that almost a third of those were for the acting alone, with ten nominations for the cast. Understandably, they had plenty to say about this unprecedented achievement.
Kit Harington gave a statement to US Weekly expressing appreciation for his Lead Actor nod. “Many thanks to the Academy. It’s been an amazing journey with ol’ Jon Snow. I’m thrilled he’s been nominated.”
Speaking with The Hollywood Reporter, Supporting Actor nominee Nikolaj Coster-Waldau shared the shock and amazement of the cast. “I was just on the phone with Gwendoline [Christie], who is also very excited. It’s unreal. We’re all just so thrilled, all of us. To have Kit, Emilia [Clarke], myself, Peter [Dinklage], Alfie [Allen], Gwendoline, Maisie [Williams], Sophie [Turner], Lena [Headey], Carice [Van Houten]…ten of us? It’s insane! None of us expected this.”
Coster-Waldau is aware the final season had a negative reception from some critics and fans, but he doesn’t believe the writing is at fault. “I think it was a mix of many things. For one, it’s the basic idea of not wanting the show to end, and any ending would have been very upsetting. But the only thing I can say is you don’t get this many actors nominated with bad writing. It just does not happen. This validates the writing on Game of Thrones, for sure.”
New (and long overdue) Supporting Actor nominee Alfie Allen told Peoplethat the cast was ectastic at the news. “32 nominations, it’s pretty insane. It’s collectively a mad thing. We’ve got a group chat going, it’s going crazy at the moment. It’s amazing. It’s just incredible, I can’t wait for the actual night.”
Initially Allen was unaware he was nominated. “I was on out and about just doing stuff. I got a congratulations text and I just thought it was a group nomination, and I didn’t realize it was an individual one, which is crazy. I’m just ecstatic really, I can’t believe this. It really surprised me, I was not expecting it at all. I’m still in shocked, still happily in shocked. It’s amazing.”
Even more than the possibility of winning an Emmy, Allen is looking forward to reuniting with his fellow cast members. “It’s gonna be a great night. I haven’t seen these people since the show has ended so it’s going to be great to sort of round it up on a positive celebration with everyone. It’s going to be a really lovely night.”
Many of the actors took to social media to share their excitement. Supporting Actress nominees Maisie Williams and Gwendoline Christie had very different reactions on Twitter, with Williams responding to the news with a pleased yet humble GIF…
Christie also told Variety that she “never ever thought this would happen…I couldn’t be more delighted, this is the best day ever.” She adds, “I honestly couldn’t feel more overwhelmed, privileged and heartened that people want to see more unconventional female storylines. I’m so excited for Kit and Emilia and Maisie and Alfie, and Nikolaj congratulated me this morning. It feels like a celebration.”
Fellow Supporting Actress nominees Sophie Turner and Lena Headey expressed their gratitude on Instagram. Turner shared a story in which she also congratulated her cast mates.
Headey’s post gave us a look at her excited reaction to the news.
Last but most certainly not least, George R.R. Martin offered praise to the entire Game of Thrones team.
My congratulations to David Benioff, Dan Weiss, our producers, directors, and all the rest of our amazing cast and crew… those who were nominated and those who were overlooked alike, they all have reason to be proud. https://t.co/xmOLeatYFV
https://platform.twitter.com/widgets.jsRegardless of how you feel about season eight, I think we can all admire the incredible acting and tremendous effort put forth by the cast and crew over the past decade. Here’s hoping for some well deserved awards in September.
Photo by Invision/AP/REX/Shutterstock: Emmy award statuettes are seen during the 2017 Governors Ball Press Preview at The Los Angeles Convention Center on in Los Angeles on Sept. 7, 2017
Well, we’ve had a lot of “lasts” in recent months with Game of Thrones coming to an end: last Twitter roundups, last episode postmortems, etc, and we’ll add another to the list in the form of last Emmy nominations. The 2019 Emmy nominations were made this morning and we have them all rounded up for you to peruse, and Thrones landed a record-breaking 32 nods — the most for a TV show in a single year!
There were a lot of, uh, differing opinions on the writing (and here and there on directing) of Season 8, but the world’s most popular show didn’t get there on writing and directing alone — the acting was always phenomenal, and behind-the-scenes work on special effects, score, production design, costuming and more was absolutely crucial to Thrones‘ success. The show’s final season was recognized for all this and more with the following 2019 Emmy nominations (and if you want to compare these to what the show submitted for, you can take a look at that list here):
Outstanding Drama Nominees:
Better Call Saul Bodyguard GOT Killing Eve Ozark Pose This is Us
Outstanding Actor in a Drama Series:
Jason Bateman, Ozark
Sterling K. Brown, This is Us
Kit Harington, Game of Thrones
Bob Odenkirk, Better Call Saul
Billy Porter, Pose
Milo Ventimiglia, This is Us
Outstanding Actress in a Drama Series:
Emilia Clarke, Game of Thrones
Jodie Comer, Killing Eve
Viola Davis, How to Get Away With Murder
Laura Linney, Ozark
Mandy Moore, This is Us
Sandra Oh, Killing Eve
Robin Wright, House of Cards
Outstanding Supporting Actor in a Drama Series:
Alfie Allen, Game of Thrones
Nikolaj Coster-Waldau, Game of Thrones
Peter Dinklage, Game of Thrones
Jonathan Banks, Better Call Saul
Giancarlo Esposito, Better Call Saul
Michael Kelly, House of Cards
Chris Sullivan, This Is Us
Outstanding Supporting Actress in a Drama Series:
Gwendoline Christie, Game of Thrones
Sophie Turner, Game of Thrones
Lena Headey,Game of Thrones
Fiona Shaw, Killing Eve
Maisie Williams, Game of Thrones
Julia Garner, Ozark
Outstanding Guest Actress in a Drama Series:
Carice Van Houten, Game of Thrones
Jessica Lange, American Horror Story: Apocalypse
Cicely Tyson, How to Get Away with Murder
Laverne Cox, Orange is the New Black
Cherry Jones, The Handmaid’s Tale
Phyilica Rashad, This Is Us
Other nominations for the show this year include:
Outstanding Directing for a Drama Series:
Game of Thrones, “The Last of the Starks,” David Nutter Game of Thrones, “The Long Night,” Miguel Sapochnik Game of Thrones, “The Iron Throne,” David Benioff and D.B. Weiss
Outstanding Writing for a Drama Series: Game of Thrones, “The Iron Throne,” David Benioff and D.B. Weiss
Outstanding Production Design For a Narrative Period or Fantasy Program (One Hour or More): Game Of Thrones, “The Bells,” Deborah Riley, Production Designer; Paul Ghirardani, Art Director; Rob Cameron, Set Decorator
Outstanding Cinematography For A Single-Camera Series (One Hour):Game of Thrones, Jonathan Freeman, ASC, Director of Photography
Outstanding Sound Editing for a Comedy or Drama Series (One Hour): Game of Thrones, “The Long Night,” Tim Kimmel, MPSE, Sound Supervisor; Tim Hands, Supervising ADR Editor; Paula Fairfield, Sound Designer; Bradley C. Katona, MPSE, Sound Effects Editor; Paul Bercovitch, Supervising Dialogue Editor; John Matter, Dialogue Editor; David Klotz, Music Editor; Brett Voss, Foley Editor; Jeffrey Wilhoit, Foley Artist; Dylan Tuomy-Wilhoit, Foley Artist
Outstanding Casting for a Drama Series: Game of Thrones, Nina Gold, Robert Sterne, Carla Stronge
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour): Game of Thrones, “The Long Night,” Onnalee Blank, Re-Recording Mixer; Mathew Waters, CAS, Re-Recording Mixer; Simon Kerr, Production Mixer; Danny Crowley, Production Mixer; Ronan Hill, Production Mixer
Outstanding Special Visual Effects: Game of Thrones, “The Bells,” Joe Bauer, Lead Visual Effects Supervisor; Steve Kullback, Lead Visual Effects Producer; Adam Chazen, Visual Effects Associate Producer; Sam Conway, Special Effects Supervisor; Mohsen Mousavi, Visual Effects Supervisor; Martin Hill, Visual Effects Supervisor; Ted Rae, Visual Effects Plate Supervisor; Patrick Tiberius Gehlen, Previs Lead; Thomas Schelesny, Visual Effects and Animation Supervisor
Outstanding Stunt Coordination for a Drama Series, Limited Series or Movie: Game of Thrones, Rowley Irlam, Stunt Coordinator
Outstanding Single-Camera Picture Editing for a Drama Series:
Game of Thrones, “The Iron Throne,” Katie Weiland, ACE, Editor Game of Thrones, “The Long Night,” Tim Porter, ACE, Editor Game of Thrones, “Winterfell,” Crispin Green, Editor
Outstanding Fantasy/Sci-Fi Costumes: Game of Thrones, “The Bells,” Michele Clapton, Costume Designer; Emma O’Loughlin, Assistant Costume Designer; Kate O’Farrell, Costume Supervisor
Outstanding Hairstyling for a Single-Camera Series: Game of Thrones, “The Long Night,” Kevin Alexander, Department Head Hairstylist; Candice Banks, Key Hairstylist; Nicola Mount, Hairstylist; Rosalia Culora, Hairstylist
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic): Game of Thrones, “The Long Night,” Jane Walker, Department Head Makeup Artist; Kay Bilk, Makeup Artist; Marianna Kyriacou, Makeup Artist; Nicola Matthews, Makeup Artist; Pamela Smyth, Makeup Artist
Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special: Game of Thrones, “The Long Night,” Emma Faulkes, Special Makeup Effects Artist; Paul Spateri, Special Makeup Effects Artist; Chloe Muton-Phillips, Special Makeup Effects Artist; Duncan Jarman, Special Makeup Effects Artist; Patt Foad, Special Makeup Effects Artist; John Eldred-Tooby, Special Makeup Effects Artist; Barrie Gower, Prosthetic Designer; Sarah Gower, Prosthetic Designer
Outstanding Music Composition for a Series (Original Dramatic Score): Game of Thrones, “The Long Night,” Ramin Djawadi
Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score):Game of Thrones: The Last Watch, Hannah Peel
Outstanding Title Design:Game of Thrones, Angus Wall, Creative Director; Kirk Shintani, Art Director; Shahana Khan, Lead Compositor; Ian Ruhfass, 3D Lead; Rustam Hasanov, Lead Conceptual Designer
Outstanding Creative Achievement In Interactive Media Within A Scripted Program:Game Of Thrones, “Fight For The Living: Beyond The Wall Virtual Reality Experience”, HBO and AT&T
The 2019 Emmy Awards will be broadcast live on Sept. 22 from the Microsoft Theater in Los Angeles. The full list of nominations is available here.
In a new article, George R.R. Martin talks to Entertainment Weekly about the pressures of creating A Song of Ice and Fire with millions of fans obsessing over the series, and the hotly debated Game of Thrones finale hanging over his head.
The authors owns up to feeling tempted to change his plans based on fans making correct predictions, especially now that we’re pooling our thoughts in the age of the internet, but he’s staying the course. He tells EW:
“…there is a temptation to then change it [in the upcoming books] — ‘Oh my god, it’s screwed up, I have to come up with something different.’ But that’s wrong. Because you’ve been planning for a certain ending and if you suddenly change direction just because somebody figured it out, or because they don’t like it, then it screws up the whole structure. So no, I don’t read the fan sites. I want to write the book I’ve always intended to write all along. And when it comes out they can like it or they can not like it.”
And will the conclusion match the show’s? Eh…maybe? “Yes, I told [showrunners David Benioff and Dan Weiss] a number of things years ago. And some of them they did do. But at the same time, it’s different. I have very fixed ideas in my head as I’m writing The Winds of Winter and beyond that in terms of where things are going. It’s like two alternate realities existing side by side. I have to double down and do my version of it which is what I’ve been doing.”
The author discusses his plans for The Winds of Winter and dedication to completing the book, despite the enormous pressure and missed deadlines. But as always, he’s vague on the delivery. He says, “I don’t only want to finish it, I want to make it as good as I possibly can. […] The show is over. I’m writing the book. It will be done when it’s done.”
So it sounds like GRRM will keep on truckin’, but he’s teasing the idea that Benioff and Weiss didn’t use everything he gave them since they only did “some of them.” Intriguing, yes?
After rehearsals, filming for Jane Goldman’s Game of Thrones prequel finally took place this afternoon at Gaeta, Italy. Though no new actors or characters were recognized, we did get to see Stark men thousands of years before we first met them in Game of Thrones, with a surprising new (or rather, old) look. That includes the iconic House Stark sigil, which has been redesigned to match the legendary era of the Age of Heroes and the Long Night during which the story is set. Take a look below the cut!
Soon after reporting on this morning’s reheasals, the ever-helpful GoTlikeLocation got a glimpse at actual filming this afternoon, in which we finally see the boat in all its glory, crewed by viking-looking ancient Starks, as evidenced by their direwolf banner:
Only shortly before sunset the prop boat came out of the grotto again to go back to the production’s second base in the port of Gaeta. This time the boat’s crew was in costume and the banner (which might be an early Stark one?) revealed. #Bloodmoon#Gaetapic.twitter.com/WYRFn3aJMT
Though George R.R. Martin recently revealed House Stark would “definitely” appear in this new series, some differences are to be expected, considering it’s set thousands of years before Game of Thrones: we’ll see the Starks as kings again, but only of one petty kingdom among a hundred, so not quite as a Great House that rules the entire North.
This appears to be reflected on their appearance as well, as these Stark sailors and their ship look basically like Vikings. As for the Stark sigil on the banner (also seen on the boat’s relief carving), it’s evocative of the design to which we’re accostumed, but with a less sleek design, probably to highlight the ancientness of this pre-historic era:
To the left, the prequel’s ancient Stark sigil; to the right, the well-known Game of Thrones design.
So, what do you think the Starks are up to here? Will they be as crucial to Blood Moon’s story as they were for the original show’s, or will they just be one faction among many? What do you think of their Viking-like appearance and the “new” (ancient) Stark sigil?
Have the post-Con of Thrones blues got you down? Fear not, we have more prequel news coming your way to lift your spirits! Filming for the series, as of now titled Blood Moon, has moved on to Gaeta, Italy, and we have some wonderful shots from the set – including a costumed Naomi Watts – to share.
The Twitter account GoTlike Locations posted several photos showing filming prep taking place near the Grotta del Turco, including production vehicles and signage restricting access.
Gaeta, Latina/Italy. Not a bad place to stay. The sanctuary of Montagna Spaccata, where all the signage is currently pointing to, seen here from Lido la Perla. Up there is the entrance to the Grotta del Turco, now closed off for the filming of the GoT prequel pilot (Bloodmoon). pic.twitter.com/gV9kuz22Hd
The area around the Grotta del Turco has restricted access from July 10 to July 18. Up to now for preparation and rehearsal, actual filming most likely taking place on Monday. #Bloodmoon#Gaetapic.twitter.com/K8UYgSlLml
For S8 filming in Spain last year multiple G&H trucks and vans had come from Northern Ireland to Seville. For the #Bloodmoon filming in Gaeta it’s local equipment. AquaFilms UK however found their way to Italy. They have a lot to do here, so it seems… pic.twitter.com/KC4DSVcEM7
At the sea in front of the Grotta del Turco, Gaeta, Italy. Rehearsal taking place last Friday for the filming of the GoT prequel pilot (Bloodmoon). Not sure about the woman doing boat hopping but I assume it’s director SJ Clarkson. pic.twitter.com/tN7q5xKH9c
At the sea in front of the Grotta del Turco, Gaeta, Italy. Rehearsal taking place last Friday for the filming of the GoT prequel pilot (Bloodmoon). Not sure about the woman doing boat hopping but I assume it’s director SJ Clarkson. pic.twitter.com/tN7q5xKH9c
Instagram user kiaruzz91_ was lucky enough to capture the below shot of Naomi Watts in all her golden glory – it appears that brunette wig didn’t belong to her after all. George R.R. Martin has said Blood Moon predates the Lannisters, but perhaps Watts is an ancester? That head to toe gold can’t be a coincidence, can it?
She also posted photos of the Grotta del Turco entrance with production signage and a vehicle with the Blood Moon logo in the window.
Finally, a new addition to the cast was spotted on set and identified by Redanian Intelligence as Georgina Campbell. Her costume and hair display the Greco-Roman influence we’ve seen in previous set photos, and in the above shot of Watts. Campbell is best known for the British crime drama Broadchurch and SYFY’s Krypton. Campbell’s latest Instagram post confirms her location as Gaeta, Italy.
If you thought the Game of Thrones merch train was rolling to a stop, you’ve got another thing coming, with Comic-Con coming up!
Brewery Ommegang and HBO announced today their 15th- and final– offering in their profitable partnership inspired by Game of Thrones. They’ll cap off the potent series with “My Watch Has Ended,” what they describe as “an imperial brown ale brewed with maple syrup and fenugreek.” The new ale will be available in the fall.
“We’ve brewed an amazing array of different beers over the course of this partnership, and it’s been our pleasure to be part of this phenomonal story,” says Brewery Ommegang president Doug Campbell. “A tribute to fans everywhere, My Watch Has Ended is a fitting end to the series, and a reflection of the mindset of fans now that this epic story has come to a close. We hope it’s something they’ll enjoy with friends as they reminisce about their favorite episodes and characters.”
“Fifteen beers and six years later, we’ve now arrived at our aptly named final beer, My Watch Has Ended,” said Jeff Peters, VP of Licensing & Retail. “What an incredible collaboration this partnership with Brewery Ommegang has been, and we couldn’t be prouder of this final product. Cheers!”
My Watch Has Ended is reportedly brewed with “two-row base malt, specialty grains such as oat flakes and chocolate malt, plus maple syrup and fenugreek, an herb with a maple-like aroma and flavor. Hopped with Hallertau Magnum and Styrian Golding varietals and fermented with an English ale yeast, with aromas of sweet maple and caramelized sugar, the beer pours a rich mahogany. Notes of cocoa and toffee and a smooth, velvety mouthfeel finish dry, with gently smoldering roast.” The ale has an 8% ABV, and will be available on draft and in 750 ml bottles at the suggested retail price of $11.99/bottle.
My Watch Has Ended lands in the late fall just in time for the holidays, and alongside the Collector’s Edition pack, featuring three previously released beers: Take the Black Stout, Fire and Blood Red Ale, and Winter is Here Double Wit, plus a commemorative glass! The previous Collector’s Edition Ommegang sets have been beautifully packaged and modestly priced so we’re looking forward to this one as well.
And of course we love a good Night’s Watch reference here at the Wall. Are you collectors looking forward to adding this one to your lot or sad the collection is coming to a close?
And so begins the final wishlist for an Emmys featuring Game of Thrones among the contenders. I’m a real sucker for awards, you guys. I know, I know that they don’t REALLY mean anything, but they do to me! It’s the time we get to gather together and celebrate the best the small screen has to offer, and boy howdy does it offer something in this Golden Age of Television of which we are all so #blessed to be a part. Going into this there are a few things you should bear in mind:
The actual list of Emmy nominations will be announced on July 16th by D’Arcy Carden and Ken Jeong. Therefore, what you are about to read is my personal wishlist of whom I wish to see be nominated on the drama side of things (aka, the categories in which GOT could be a contender (it could be somebodyyyy)).
Anything on my wishlist has to be something I’ve actually seen. I’m not going to suggest an actor whom I like get nominated just because I’ve seen them in something else – I have to have seen them in the would-be-nominated role.
Lastly…I watch a lot of genre and period TV, you guys. Like, a LOT of it. So with all that, let’s dive in!
Best Drama Wishlist:
Counterpart season 2 (Starz)
Elementary season 6 (CBS)
Game of Thrones season 8 (HBO)
The Man In The High Castle season 3 (Amazon Prime)
Marvel’s Daredevil season 3 (Netflix)
Outlander season 4 (Starz)
Vikings season 5b (History)
…Did I mention that I watch a lot of genre TV? Anyways…GOT is more than likely a sure bet to be nominated, while realistically, zero of the other above shows will make the cut. None of them has ever been Emmy material. The question really is…will the overwhelmingly negative reaction to 4 out of the 6 episodes of season 8 stop it in dead in its tracks? Time will tell, but my money is still on it actually winning. As for the rest of these shows, The Man in the High Castle and Counterpart have put out three and two, respectively, exceptional seasons, and I can’t recommend those shows enough. Vikings and Outlander continue to be fun underdog alternatives to GOT. Daredevil had some truly elevated storytelling during much of its 3rd and sadly final season. And yes, that is indeed CBS procedural Elementary you see on there. I watch one major network drama, and it happens to be very good (much better than Sherlock, I’ll add).
Best Actor Wishlist:
Richard Madden as David Budd (Bodyguard)
J. K. Simmons as Howard Silk/Howard Prime (Counterpart)
Kit Harington as Jon Snow (Game of Thrones)
Rufus Sewell as Obergruppenführer John Smith (The Man In The High Castle)
Jon Bernthal as Frank Castle(Marvel’s The Punisher)
Sam Heughan as Jamie Fraser (Outlander)
This one is exciting. The only people up here who are actual contenders to get nominated are brothers from other mothers Richard Madden and Kit Harington. It would be so awesome to see Jon Snow go up against Robb Stark! Although, if you want my personal pick (though he’ll never be nominated), that would be Rufus Sewell, whose turn as John Smith is hauntingly brilliant and beautiful, crafting one of the most remarkable, terrifying, and empathetic portraits of a Nazi I could ever fathom. Yes. His character is a Nazi. Yes. I am Jewish. And yes. He is that good. J. K. Simmons, Jon Bernthal, and Sam Heughan: love you guys, thanks for playing.
Best Actress Wishlist:
Olivia Williams as Emily Silk/Emily Prime (Counterpart)
Emilia Clarke as Daenerys Targaryen (Game of Thrones)
Suranne Jones as Anne Lister (Gentleman Jack)
Jodie Comer as Villanelle (Killing Eve)
Alexa Davalos as Juliana Crain (The Man In The High Castle)
Caitriona Balfe as Claire Randall Fraser (Outlander)
This has to be Emilia’s year, right? Right!?!? Her facial expressions in ‘The Bells’ alone should do it. I do believe that she will not only be nominated, but I believe she will win as well. Her only actual competition will likely come in the form of Suranne Jones, who creates a character I’d somehow never seen on screen before. It’s entirely worth watching Gentleman Jack for her alone. As for the others, the only one I can see having a shot is Jodie Comer, though I’ll be sad when Olivia Williams goes unnoticed (as will the rest of her brilliant show). Doesn’t mean I love Caitriona Balfe or Alexa Davalos any less!
Best Supporting Actor Wishlist:
Harry Lloyd as Peter Quayle (Counterpart)
Pilou Asbæk as Euron Greyjoy (Game of Thrones)
Peter Dinklage as Tyrion Lannister (Game of Thrones)
Cory Michael Smith as Edward Nygma aka The Riddler (Gotham)
Joel De la Fuente as Inspector Kido (The Man In The High Castle) Rupert Evans as Frank Frink (The Man In The High Castle)
Alex Høgh Andersen as Ivar (Vikings)
This one’s a toughie – There were so many GOT cast members to choose from, but I’ve whittled it down to (naturally) those I’d personally nominate for season 8. That leaves me with Peter Dinklage, who is oft scoffed at for his repeat nominations (this would be 8/8), but I think people sometimes forget just how good he is. He basically ran the finale himself, with several monologues back to back, and he nailed each and every one of them. Secondly, I just have to hand it to Pilou. After Euron’s didn’t make a splash (lol puns) at first, he came back swinging in seasons 7 and 8, and boy did he ever make an impression. “Swaggering rock ‘n roll pirate” is as a good a descriptor as an actor can get, and he just nailed it, in my opinion. I’d like to throw a separate shout out to reformed bad boy Viserys, whose actor Harry Lloyd did tremendous work on Counterpart. Meanwhile, hard at work are the actors on The Man in the High Castle, whose products are so consistently wonderful, most notably among them Joel De la Fuente and Rupert Evans. Cory Michael Smith turned in 5 weird years as the very weird Riddler and I think he finally deserves some recognition. And lastly, Alex Høgh Andersen’s impressive work as Ivar isn’t just good enough for a nomination, in my opinion; he’s good enough to WIN! (He won’t get either, but that’s another story).
Best Supporting Actress Wishlist:
Nazanin Boniadi as Clare (Counterpart) Maisie Williams as Arya Stark (Game of Thrones) Fiona Shaw as Carolyn Martens (Killing Eve)
Chelah Horsdal as Helen Smith (The Man In The High Castle)
Uzo Aduba as Suzanne ‘Crazy Eyes’ Warren (Orange is the New Black) Danielle Brooks as Tasha ‘Taystee’ Jefferson (Orange is the New Black) Selenis Levya as Gloria Mendoza (Orange is the New Black)
There were a lot of Game of Thrones cast members on this ballot as well, but unfortunately, given the constraints of the shortened season 8, very few of them got a longer chance to shine. Maisie Williams was not one of them, however. Her final turn as Arya Stark was one for the ages, most perfectly captured in her tumultuous escape from King’s Landing, as I’d noted in her Take a Bow. I really really hope she wins this one. Fiona Shaw was, for me, the best part of Killing Eve, a show of which I otherwise wasn’t too fond (sorry, @The Internet). Nazanin Boniadi played a double agent on Counterpart, and got to often play opposite Harry Lloyd, her husband whom she was deceiving. It was very easy for Chelah Horsdal’s Helen to be overshadowed by her husband John Smith, but this season, the writers of of The Man in the High Castle gave her so much more to do, and she ran with it. And lastly, the ladies of Orange is the New Black have so many candidates on the Emmy ballot, but I picked three I felt were most deserving, in Uzo Aduba, Danielle Brooks, and Selenis Levya.
Best Guest Actor Wishlist:
Andrew Lincoln as Rick Grimes (The Walking Dead)
Welp. GOT isn’t on the ballot for anyone in this category, but it won’t stop me from both appreciating Andrew Lincoln’s 9 years on The Walking Dead. It’s kind of funny that he was in few enough episodes to qualify for best guest actor, but here we are. And you know what? I haven’t gotten a chance to look into all the other people on the ballot (as mentioned, I’ll only list people whose performances I saw), but I figure he has a good shot of actually winning, after not being nominated for 8 years.
Best Guest Actress Wishlist:
Carice Van Houten as Melisandre (Game of Thrones) Alexa Davalos as Beth Quinn (The Punisher) Maria Doyle Kennedy as Jocasta (Outlander)
Thanks to Melisandre’s eleventh hour return to save the day at the Battle of Winterfell, Carice Van Houten has a chance to finally clinch that nomination she’s long deserved. The liklihood of her nomination has certainly increased with the sharp decrease of competition she’ll be facing, but I am still highly doubtful, unfortunately, that she won’t win. If Dame Diana Rigg couldn’t win after all those years, then Carice is rather unlikely to. As for my other placements, Alexa Davalos and Maria Doyle Kennedy, I’ll say thank you for your work, but it is unfortunately unlikely to be recognized.
So there you have it. My highly personalized list of shows and actors I want to see on the ballot on July 16th. While I unfortunately couldn’t place all the eligible GOT cast members on my wishlist, we will soon have the WOTW Awards coming up in which you will be able to vote for your favorite Greyjoy to your heart’s content! Where did I err? What under-appreciated actor did I recognize? What does your wishlist look like? Let us know in the comments below!
We didn’t get much of Casterly Rock in ‘Game of Thrones,’ but will the prequel series change that?
More and more information about the Game of Thrones prequel series, tentatively titled Blood Moon (although more on that title in a bit!), is starting to find its way to the internet and to us, the fans still hungry for more Westeros content. This time, no less than the creator of the fantastic world itself, George R.R. Martin, is letting a few new details slip in a new interview!
EW recently spoke with GRRM about the prequel, which is helmed by showrunner Jane Goldman and officially began filming in May (and has seen more and more activity in the last month or so). Martin dropped several tantalizing hints and even suggested a possible new title for the series! Here are the important facts from the interview:
1.Westeros is divided. “We talk about the Seven Kingdoms of Westeros; there were Seven Kingdoms at the time of Aegon’s Conquest,” Martin said. “But if you go back further then there are nine kingdoms, and 12 kingdoms, and eventually you get back to where there are a hundred kingdoms — petty kingdoms — and that’s the era we’re talking about here.”
2.Rejoice, Stark stans! Martin confirms the fan-favorite family is around. “The Starks will definitely be there,” he said. And while much has been made about the fact the prequel predates dragons, that doesn’t mean there won’t be other creatures like mammoths and direwolves.
3.No Lannisters…or are there?The prequel predates the rise of the Lannister family, Martin says. But there is another family currently residing in the future Lannister homestead. “The Lannisters aren’t there yet, but Casterly Rock is certainly there … It’s actually occupied by the Casterlys — for whom it’s still named after in the time of Game of Thrones.” Will the tale of how Lann the Clever swindled the Rock away from the Casterlys be told in the prequel?
4.Like GoT, it’s a true ensemble. HBO’s cast breakdown appeared to suggest the show might be led by a trio of female leads (Naomi Watts, Naomi Ackie, and Denise Gough). Asked about this, Martin said the prequel — like Game of Thrones — is more accurately described as an ensemble story. “As you know for Game of Thrones, we never even nominated anybody for lead actress or lead actor [during awards season] until recently; it was always for supporting [categories] because the show is such an ensemble. I think that will be true for this show too. We don’t have leads so much as a large ensemble cast.”
5.Blood Moon, The Long Night, or something different? The prequel is still officially untitled, Martin emphasized, despite the recently-spied production schedule that has Blood Moon at the top. In the past, the author has suggested the title The Long Night, which remains Martin’s preferred title, although there is another similar possibility being considered. “I heard a suggestion that it could be called The Longest Night, which is a variant I wouldn’t mind,” he said. “That would be pretty good.”
More information is available in the full article, but what do you think of these new details? Is this anything that surprises you, or were you expecting some of this? Does this make you more interested in the prequel? Let us know in the comments!
As the pilot for Jane Goldman’s Game of Thrones prequel continues being filmed right now in Northern Ireland (and, unprecedently, next week in Italy), we hear more and more from the mysterious new show. Today we bring you casting news for a new character (or perhaps not so new), and a peek at Naomi Watts getting ready for her role.
Thanks to our friends at Redanian Intelligence, we’ve been made aware of a new addition to the pilot’s extensive cast: Joshua Moabi, a 10-year old English actor with previous experience in commercials, who is playing a character by the name of “Young Alden.”
We don’t yet know whether “Alden” is Moabi’s character’s true name or a placeholder, and even if it is real it’s certainly unheard of in the world of George R.R. Martin, but we may still be able to gather some things: the “young” part appears to suggest Moabi’s playing an existing character in a flashback. Physically, he’s a pretty good match to Marquis Rodriguez, who was cast in a prominent role this past March.
Moabi could be playing a “young” version of Rodriguez’ character.
Considering HBO is only shooting the pilot for now, this cast is quite large. And there could even be flashbacks (or, given that it’s the first episode, maybe a linear time-jump.) We’ll have to wait and see, but it’s probably going to be as expansive a show as Game of Thrones. So, you know, get ready to pay attention and learn dozens of new names in the pilot or you won’t understand what the hell is going on. And this time with no books!
In slightly less newsy news, Decider caught that Blood Moon starring cast member Naomi Watts shared the Instagram story seen below from the hair & makeup trailer, watching the show Big Little Lies as she gets ready for an early 5AM work day.
Screenshoot of Naomi Watts Instagram Story by Decider
Though Watts isn’t yet in character in the photo, you may notice there is a wig behind her. If it’s hers, it would mean no blonde Naomi in the show! Another thing to note is that the look of the wig matches the style we recently saw during filming.
Watchers on the Wall panel at Con of Thrones 2018, with Oz of Thrones, Patrick Sponaugle, Bex, Vanessa Cole, Petra Halbur, JoeMagician, Sam Wallace, David Rosenblatt, Luka Nieto, and Sue the Fury.
We’re back!! The Night’s Cast, the official podcast of Watchers on the Wall, has returned to your airwaves after a short hiatus, and we’re excited to talk prequel news and preparations for next week’s Con of Thrones.
This week, Vanessa and Samantha get pumped for the third annual Con of Thrones, which begins next Friday in Nashville, and break down recent casting, filming and production news for the Game of Thrones spinoff tentatively titled Blood Moon (although we’d like to reiterate that this is not the “official” title released by HBO and could still be a production codename only).
**NOTE: If you have 10 minutes to spare, we’d love your help in getting nominated for the 2019 Podcast Awards! Visit their website and sign up for a free account to select The Night’s Cast from the Entertainment and People’s Choice categories (you can vote for us for both!). If we get enough votes, we make the final ballot for August! Help us bring home some hardware for the bookshelf!**
Carice van Houten and her character of Melisandre may have checked out early in the final season, as one of its first major casualties, but that doesn’t dimish the deep impression left by actress and character both. In a new interview, van Houten discusses the poetic and controversial ends of Melisandre and the show respectively, and more!
The actress has a lot of feelings from the end of Game of Thrones, understandably, as she played the Red Woman for seven years. However, as other cast members have said, the reality of the show coming to an end is only starting to really hit now:
“I was overwhelmed by emotion. I hate saying goodbye,” van Houten tells Deadline about finishing filming Game of Thrones for good during Season 8 production. “It was not only wrapping the show and the character; it was an end of seven years of my life. A lot happens in seven years. That’s why some actors might be very emotional about it.
“For the first time, I’m feeling [that it’s really over]. There was always a year between shoots so we were used to it, but around now we would be getting into the script again, getting in touch with each other, speculating over what would happen to each other’s characters. [Now] there isn’t a reason to see each other as much, which is a little strange. I guess it helped that my character died in the last season. I’m really happy with my ending. That made it easier for me,” she says, regarding Melisandre’s beautiful end in The Long Night. “It was graceful. I was very grateful to the writers for that. That whole episode was bombastic, but my death was like the final note of a symphony.”
As for the divisive overall ending of Game of Thrones, at first Carice gets a bit philosphical about it, highlighting the sense of community created by the show:
“The thing I’m most happy about is that the show inspired people and brought people together,” the Dutch actress opines about the show’s legacy. “It’s the best thing that could have happened. I hope we get something like it in future, especially in this world where everyone is increasingly connected but individual…”
In the end, however, she does share her thoughts about the ending: “I could [understand some people’s frustration] in a way but I also felt it was bound to happen after eight years of expectation. Everyone has their own theories and wishes. It’s hard to do it ‘right,’ to wrap it up in a bow. Everyone has a right to their opinion but it didn’t bother me. I loved it when the dragon Drogon destroyed the throne, for example. Those moments were amazing. The fact there’s discussion about it is a good sign, though.”
Though I would hesitate to label some of the reaction to the final season as “a good sign” of anything, or to even classify it as “discussion”, I believe van Houten is quite right in spirit: whatever one may think of the final season or the finale (I happen to agree with her), it’s difficult to think of many TV shows that have ignited this much passion for so many people. We can only hope the prequels spark even a fraction of such interest!
An epic moment, now forever immortalized in vinyl.
Ah, Game of Thrones, the series that keeps on giving — if not in episodes anymore then at least in Twitter arguments, fan fiction, and new collectibles. Funko, makers of the big-headed figures that turn any fictional character into an adorable addition to your bookshelf, are happy to oblige with the latter!
Funko announced today that they will be releasing two new Pop! vinyl figurines: one a “Pop! Moment,” which depicts Jorah and Daenerys wielding swords during the Battle of Winterfell (pictured above the cut), and the other an addition to their “Pop! Television: Game of Thrones” collection, a long-awaited Sansa figure (seriously, it’s been forever since we got a second one) featuring the Queen in the North in her royal raiment:
“THE QUEEN IN THE NORTH! THE QUEEN IN THE NORTH!”
The details look wonderful on these, from the flames on the ground and smudged faces of Jorah and Dany to the minute details of Sansa’s intricate coronation gown. For those of us who swore we were done spending money on Thrones stuff or that we couldn’t possibly find room for more, well, we might have to rethink that.
No other information was released except to say that the two new additions to Funko’s lineup are “coming soon,” so keep your eyes peeled for more news about these!
George R.R. Martin recently invited Jessie and Leonard Maltin, the hosts of the podcast, Maltin on Movies to interview him at his theater, the Jean Cocteau Cinema in New Mexico, to chat about his career, the entertainment industry … and the internet!
Though their conversation, which clocked in at just under an hour and a half, covered a range of topics, Martin and the Maltins chose not to address the various controversies surrounding the final season of Game of Thrones. However, Martin did weigh in on how the internet has transformed fandoms and fan discourse from the sort that he participated in when he was younger.
“The internet is toxic in a way that the old fanzine culture and the fandoms, the comic fandoms and sci-fi fandoms in those days was not,” he said at 21:04. “Yeah, there were disagreements there were feuds but nothing like the madness that you see on the internet.”
To be clear, the tone of the podcast was largely positive. Martin discussed how he decided to to become a full time writer at the age of 32 (at 27:10), the mercurial nature of writing for television (43:00) and that most perennial topic for any author whose work has been made into a television show or movie: adaptation.
Martin reasoned that A Song of Ice and Fire is simply too large in scope and scale to be translated directly into a televisions format.
“As lavish as [the Game of Thrones] production was … they still couldn’t include all the characters,” he said at 1:10:57, but then compared the character consolidation to Gone With The Wind‘s omission of two of Scarlett O’Hara’s children.
“How many children did Scarlett O’hara have? What’s the answer to that?” he asked. “She had three in the novel, one in the movie … so you can tell the story as you want with one child or with three children. There’s no right answer or wrong answer, there, as long as you get the essence of the story.”
You can listen to the entire interview on the Maltin On Movies website, here.