Advertisements

Game of Thrones Quick Hits: The Road to the 2019 Emmys Interview Round-up!

Sansa Stark (Sophie Turner). Photo: HBO

Emmys season is bringing out all the stars and technical wizards of Game of Thrones, for a round of new interviews. Gotta love it! Everything from the crown choices of Westeros to the creation of “The Long Night” is covered.  Here are the latest interviews featuring Sophie Turner, Carice van Houten, Gwendoline Christie, Alfie Allen, and more!

Best Supporting Actress nominee Sophie Turner speaks her mind in an interview with The Wrap, defending the writing of the show, and some of the final choices made. “The fans are incredible and so loyal, and we love them because of the fact that they’re so, so passionate. I cannot fault them there. But when people were saying that there was no effort, that the writers were terrible …The most effort was put into this final season.”

As for the decision to play Sansa’s brother Bran on the throne, she says, “I think it’s true what Tyrion was saying: Bran holds all of our stories, and we can’t move on unless we remember our history. Daeneyrs had to die. Cersei was a mad queen. Arya is too much of a free spirit. Sansa probably wouldn’t want to rule the seven kingdoms anyway — she wanted to stay in the North and defend the North. I really think Bran might be the perfect person for the job.”

But Turner has her dream ending, which she shares with The Wrap.I thought Arya would kill Cersei. And I would like to have seen Sansa and Cersei reunited, or Arya and Cersei. But there were so many ways the story could have turned out. I felt very passionately about the ending for Sansa, and I was very happy with the ending that turned out for her.”

Night King Come at Me Bro Season 8 803 The Long Night

The Hollywood Reporter talks to GoT’s sound supervisor and sound designer in their piece examining several nominated shows. “The biggest challenge was keeping the battle interesting and dynamic,” sound supervisor Tim Kimmel tells THR about “The Long Night”, the episode featuring his nominated work. “The scene where the Army of the Dead breach the fire trench and start to climb the walls of the castle to attack was particularly challenging. There were so many layers — with vocals and movement, bows and flaming arrows, weapons and body movement and falls — that keeping it all properly detailed and organized for the mixers to do their job took a lot of time and patience.” Sound designer Paula Fairfield tells them “a pass of weather-related sounds such as wind and rain contributed to a sense of disorientation.”

Melisandre Arya Stark Season 8 803

“The Long Night” was a big moment for Carice van Houten as well. It marked her triumpghant return and death. The actress speaks to The Wrap about her death. “I was very, very happy with my ending. It gave me goosebumps when I read it, and it was the same when I saw it on screen. I thought it was a very elegant, beautiful ending to a bombastic, dark, violent episode.”

Any regrets? She tells The Wrap, “I would have loved to have some sort of little scene with Cersei. I’m so curious what would have happened if those two women got together. That would have been an interesting meeting.”

King's Landing Battle 805 Season 8 The Bells Daenerys Dany Targaryen Drogon Gates Golden Company

Debate the success of the final season all you want, but you can’t deny the VFX was amazing. Joe Bauer, the show’s lead VFX supervisor talks to Indiewire about the creation of the devastating Battle of King’s Landing, explaining that “[A]fter seven years of building out the physical and sometimes emotional world of ‘Thrones’ through use of visual effects, in ‘The Bells,’ it was time to add an exclamation point…Our brains registered a level of shock when reading the script pages. Now our world building methods would be used to un-build, to de-construct.”

“Unleashing the full, almost Godzilla-like force of Drogon on a rampage was a thrill,” Bauer says, “but what it meant weighed heavily on us: Dany would never again represent hope for a better world. Finally she could not escape her own blood line. Heavy stuff. The city had to be leveled, and we had a single dragon to execute the carnage. And that took some backward engineering.”

Read the full piece at Indiewire for details on how it all came to life!

Beric Dondarrion Arya Stark Season 8 803 The Long Night

THR also talks to Thrones editor Tim Porter about his nominated work in “The Long Night” which offers insight into the show’s motives in what they want us to see and feel.   He describes the episode as “three acts” with one to build tension, the second full of action, and then the third “slowing down… with Ramin Djawadi’s amazing score synthesizing the intercut of the Night King’s entrance and our heroes fighting for their lives and ultimately Arya’s arrival and her slaying of the Night King.”

He explains, “As there were so many characters fighting different battles, we were trying to make sure that we weren’t away from each beat for too long, keeping the characters under pressure and the audience involved with their plight. All except for Arya, we wanted to lose her, to take the focus off where she was, and what she was doing, until we see her entrance into the Godswood to save the day.”

He takes us inside the incredibly tense and tightly edited library scene as well- read about it at THR!

Brienne of Tarth Season 8 806 Kingsguard White Book of Brothers

And finally, from The Wrap’s Emmy series, Gwendoline Christe and Alfie Allen, among others, weigh in on their characters and Emmy noms. Christie address complaints  about Brienne crying when Jaime left her, saying, “I was incredibly pleased to have that moment, because I think we see that Brienne has allowed herself to love someone. I don’t think there should be any thought that loving someone and being in pain when that person leaves her should be painted as a weakness, ever. She showed strength in every different area. Why shouldn’t she be allowed to be devastated?

As for Allen submitting himself for Emmy consideration, he admits he did so, because he “had people advising me to do it, and it felt right. I really don’t know how the mechanics work, but it felt like the right time to do it. But I had no expectations whatsoever.” As for Theon’s and the show’s conclusion, he says, “Some people weren’t satisfied with how it ended, but it’s the same with a lot of these TV shows. But in terms of the arc of Theon, I hope people were happy with it. On the day I felt happy with it, and when I got to see it, I was thankful that Dan and David had given me that kind of stuff to do.”

The post Game of Thrones Quick Hits: The Road to the 2019 Emmys Interview Round-up! appeared first on Watchers on the Wall.

Advertisements
Read More

HBO and Insight Editions release sneak peek of “Game of Thrones: The Costumes”

Game of Thrones: The Costumes coverIf you’ve ever dreamed of flipping through a weighty volume of detailed photographs and sketches of Game of Thrones‘ gorgeous costumes and reading the brilliant insights of the show’s costume designer, Michele Clapton … well, your dreams really do come true, sometimes.

HBO and Insight Editions have released a sneak peek of the fourth installment of their 2019 publishing program, Game of Thrones: The Costumes. By all accounts it is everything a Westerosi fashion aficionado could ever want.

From the practical, layered fabrics of Winterfell to the finery of King’s Landing, the costumes of Game of Thrones play an integral part in transporting viewers to the land of Westeros and beyond. Game of Thrones: The Costumes, written by Michele Clapton and Gina McIntyre, celebrates the incredible artistry involved in creating each outfit, with beautifully detailed photographs of the costumes and behind-the-scenes details.

Feast your eyes …

unnamed-5 unnamed-6 unnamed-7 unnamed-8

Game of Thrones: The Costumes will be released on November 12th and priced at $75.00. The other three books in HBO and Insight Editions 2019 publishing program are:

  • Game of Thrones: The Storyboards (Spring 2019, $60), Art by William Simpson, lead storyboard artist for Game of Thrones; Written by Michael Kogge
  • The Art of Game of Thrones (Fall 2019, $75.00), Written by Jody Revenson and Deborah Riley
  • The Photography of Game of Thrones (Fall 2019, $75.00), Photography by Helen Sloan, principal unit photographer for Game of Thrones; Written by Michael Kogge.

The post HBO and Insight Editions release sneak peek of “Game of Thrones: The Costumes” appeared first on Watchers on the Wall.

Read More

The Night’s Cast Episode 26: Summer School at the Citadel, Part 1

John Bradley as Samwell Tarly. Photo: HBO

John Bradley as Samwell Tarly. Photo: HBO

Feeling a little lost with all the prequel talk of “the Age of Heroes” and other Westeros history? Have no idea who Lann the Clever is? Why does that Stark sigil we glimpsed from the set look different? Not to worry — school is in session!

The Night’s Cast, the official podcast of Watchers on the Wall, is your visiting maester for a couple of episodes we’re calling Summer School at the Citadel, in which we dive into any and all Westeros (and some Essos) history that might be relevant to the upcoming spinoff. This week, join Vanessa, Petra and Samantha for lesson number one on the Dawn Age, early Starks and more.

[soundcloud url="https://api.soundcloud.com/tracks/665895743?secret_token=s-58H0L" params="color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%" height="166" iframe="true" /]

The podcast is available on iTunes and SoundCloud, and you can follow us on Twitter as well. Happy listening!

The post The Night’s Cast Episode 26: Summer School at the Citadel, Part 1 appeared first on Watchers on the Wall.

Read More

Director Miguel Sapochnik discusses his Emmy nominated episode; George R.R. Martin on the unexpected success of Game of Thrones

Arya-Stark-Night-King-Season-8-803-The-Long-Night~2

The Emmys will be awarded next month, and Game of Thrones is well positioned to take home a considerable number of trophies with its historic 32 nominations. Miguel Sapochnik has an excellent chance at winning in the Outstanding Directing category for “The Long Night,” having previously won in 2016 for “Battle of the Bastards.” In a new interview with The Hollywood ReporterSapochnik shares some of the behind the scenes work involved in bringing the battle of Winterfell to life.

In addition to enduring 55 grueling nights of shooting in adverse weather, Sapochnik admits he “questioned everything, and we worked long and hard to find the right balance of credibility versus wish fulfillment. Then we shot it and reshot it and found that what was really important was rhythm.”

He addresses the decision to have Arya leap from nowhere when attacking the Night King, saying, “At one point there was an elaborate plan to have her fight her way into the weirwood forest, but as we progressed we realized she’d already done that earlier in the episode, so it felt like a repeat. In the end we felt it didn’t matter how she got there — what mattered was setting up that moment when the Night King catches her mid-leap and we think she’s done for, then she pulls her knife switch and takes him out. I loved Maisie’s performance post the takedown as well, sharing a moment with her brother, Bran. That weary smile. ‘Not today.’”

Whether he takes home the Emmy or not, Sapochnik will  forever be grateful for his experience working on Thrones. “It’s been the opportunity of a lifetime. I made a lot of friends. I worked with the best actors, crew, producers and showrunners I’ve ever worked with. I got to know the people of Northern Ireland and learned about their history. I had an experience that I would never have had otherwise, and I can take that with me to every project I do.” Here’s hoping he gets rewarded with a win for his incredibly hard work on “The Long Night.”

George R.R. Martin

Author George R.R. Martin is currently in Ireland for Worldcon, and while he didn’t address his progress on The Winds of Winter (shocking) he did speak to The Irish Times about the phenomenonal popularity of his A Song of Ice and Fire novels and the Game of Thrones television show. Martin admitted there is always an uncertainty about how well a project will be received. “You never know with either books or television. I had a book about 10 years before, The Armageddon Rag, a rock-and-roll book…It was going to be a bestseller, and it died totally. It almost destroyed my career.”

“It’s not a bad book – why did it sell so poorly? Why did Game of Thrones sell so well?…If people knew what would work, they would do it all the time.” He added that no one can anticipate what will succeed, saying, “[Game of Thrones] became the most popular television show in the world. When it started David [Benioff] and Dan [Weiss], the showrunners, I remember them saying, ‘Well, let’s hope we can get three seasons, so we can get to at least the Red Wedding. Obviously, we got more than that.”

Martin also explained that while popularity and success is nice, it’s not what’s most important to him. “When an actor finishes a play they come out for the curtain call and the applause. The check is not enough. I want to know what people think of it. Maybe they’re going to throw fruit, or maybe they’re going to give you a standing ovation. You never know, but you’ve got to get it out before people, right?”

Read the rest – including his thoughts on genre fiction and fandom – here.

The post Director Miguel Sapochnik discusses his Emmy nominated episode; George R.R. Martin on the unexpected success of Game of Thrones appeared first on Watchers on the Wall.

Read More

Creators of Game of Thrones, David Benioff and D.B. Weiss, Sign Global Deal with Netflix

db-weiss-and-david-benioff-game-of-thrones-producers

From the masterminds who brought you eight seasons of Game of Thrones come, well we’re not sure just yet! News recently broke that David Benioff and D. B. Weiss (known mostly as David and Dan round these parts) have officially signed their next global deal. After a lengthy courting process which included bidders from Comcast, Disney, Amazon, and Apple, they ultimately set their sights and signed their pens with the hottest ticket in global TV. No, it wasn’t with HBO, though you’d certainly not be wrong for guessing that, given their decade-long recently concluded residence at the WarnerMedia-owned hub. It would appear that they have ultimately decided to take up residency at Netflix. So what’s cooking for them over at the ‘ol streaming site? Let’s see if we can figure that out…

We’ve had a beautiful run with HBO for more than a decade and we’re grateful to everyone there for always making us feel at home. Over the past few months we’ve spent many hours talking to Cindy Holland and Peter Friedlander, as well as Ted Sarandos and Scott Stuber. We remember the same shots from the same ‘80s movies; we love the same books; we’re excited about the same storytelling possibilities. Netflix has built something astounding and unprecedented, and we’re honored they invited us to join them.

Sources tell Deadline that David and Dan’s deal might be in the 9-figure range, worth as much as $300 million, and rumored to span 5 years. So this begs the question: Is that 5 years’ worth of varied content? Or 5 seasons of a single show? We don’t have too much to go off of. Over the last couple of years, Netflix has pooled its money behind major talents such as Shonda Rhimes and Ryan Murphy, but each of them is well known for producing multiple shows on television, often overseeing them from afar, with no more than an executive producer credit slapped on to many episodes of their shows. That’s not to say that their mark is any less evident, but I want to specify that it’s not an apples to apples comparison if we’re using this to try and figure out what David and Dan are up to. D&D were not just executive producers, but the writers, showrunners, and even sometimes directors of GOT, so this could suggest that the rumored $300 million is more than likely to be for one show they can focus their attention on. Would it be another high fantasy to compete with the HBO’s upcoming GOT spinoff, Amazon’s upcoming Lord of the Rings or Wheel of Time, or Showtime’s upcoming Kingkiller Chronicles, or one of the other 800 zillion other ‘high fantasy prestige drama’ that are innumerably upcoming? Who knows?

We do know a few things, however. We know that D&D will have their time occupied for quite a while, given the next Star Wars movie following this December’s Episode IX will be theirs, and also that it will be the first of a trilogy. So this begs the question of how involved they will be able to get with their Netflix project(s). Amidst all this speculation, my ultimate guess is that they will fall into the aforementioned roles of overall executive producers, where they will oversee multiple projects, and won’t have to spend day to day on any one set (other than their Star Wars trilogy, where I expect them to fully be in charge).

Of course, your guess is as good as mine, and I’d love to hear what it is. What say you?

The post Creators of Game of Thrones, David Benioff and D.B. Weiss, Sign Global Deal with Netflix appeared first on Watchers on the Wall.

Read More

Gwendoline Christie on the Road to her Emmy Nomination, Naomi Watts Isn’t Allowed to Say Anything About Game of Thrones Spinoff

Gwendoline-Christie-In-Game-of-Thrones-Season-5

We’re in that ‘between’ phase, Game of Thrones fans. We’re currently between the Emmy nominations list, and the final Emmy awards in which GOT is eligible (and has beaten its own nomination record.) We’re between the end of GOT, and the start date of whenever the spinoff decides to debut. We’re between the debut of the final list of our eligible season 8 WOTW nominees, and the reveal of which of those nominees will be announced on nomination night. Amidst all this, news of the spinoff, or lack thereof, whose pilot recently concluded filming, has been rather sparse, so we’re always on the look for news to report about the spinoff or our dearly departed GOT itself. And right now, it looks to be an interview with the always exciting Gwendoline Christie on her road through Brienne’s arc, and some words of wisdom from a very tight-lipped Naomi Watts, on spoilers from the upcoming spinoff. Read on to check them out!

Gwen sat down with Hollywood Reporter to walk them through her identification with the character of Brienne: “I felt that my experiences as a woman, with the way that I look, and [the feeling that] my experiences of life somehow weren’t relevant and didn’t have a place, and somehow didn’t mean success. All I knew was I had an extreme emotional connection to her. I wanted to play this part because, for me as an actor, I felt like this was a character with something to say, that allowed me to speak my truth.” After revealing that she had told no one other than her partner about her self-submitted Emmy nomination, her reaction was: “I was in a taxi on my way to work, to the theater, where I’m doing a play at the moment. The phone rang, and it was my publicist. When they said I’d been nominated — well, let me tell you, I experienced every single emotion known to man.”

We all know that Gwen was a powerhouse from the day we first saw her take off Brienne’s helmet in season 2, but even more impressive was Gwen’s portrayal of the character from beginning to end: “We saw a woman who wanted to be a member of the Kingsguard, and she ends up being not just a member of the Kingsguard, but ends up as the Lord Commander of the Kingsguard. She also allows herself the opportunity to have a sexual experience, which is her choosing. She takes responsibility for any potential outcomes of it. She allows herself to be vulnerable and emotional.” Gwen is also aware of the importance Brienne has to influence the industry, in terms of the way future roles are portrayed: “I will say women often find it difficult to put themselves forward, and maybe that’s what we need to take the courage to do in order to see a greater diversity in the world. We can empower ourselves by putting ourselves forward for something we never believe is going to happen.”

Meanwhile, Naomi Watts, in an interview with Net-A-Porter dished on her mysterious new character in the upcoming spinoff, or what she’s allowed to tell us at any rate (hint: nothing): “I am literally not allowed to say anything about it…I didn’t start watching [Game of Thrones] until I was approached about this job…But my brother [photographer Ben Watts], who is heavily into it, told me, ‘Under no circumstances are you going to turn this down.’” Following this, she immediately binged seasons 1-7 of GOT, and then presumably watched season 8 in real-time along with all of us. However, she fears that in spite of her already famous persona, the hype train that follows GOT might just increase her public profile: “I still have fears about that…I don’t really know what to prepare for.”

Unfortunately, she doesn’t have much more to say for the time being about the contents of the mysterious GOT spinoff, but in the meantime, head over and check out the rest of the interview to hear Naomi talk more about her journey as a woman through a difficult industry. Additionally, you can check out the rest of the interview with Gwendoline Christie – she had a bunch of awesome things to say about Brienne and women in the industry as well.

The post Gwendoline Christie on the Road to her Emmy Nomination, Naomi Watts Isn’t Allowed to Say Anything About Game of Thrones Spinoff appeared first on Watchers on the Wall.

Read More

Gwendoline Christie on the Road to her Emmy Nomination, Naomi Watts Teases Game of Thrones Spinoff

Gwendoline-Christie-In-Game-of-Thrones-Season-5

We’re in that ‘between’ phase, Game of Thrones fans. We’re currently between the Emmy nominations list, and the final Emmy awards in which GOT is eligible (and has beaten its own nomination record.) We’re between the end of GOT, and the start date of whenever the spinoff decides to debut. We’re between the debut of the final list of our eligible season 8 WOTW nominees, and the reveal of which of those nominees will be announced on nomination night. Amidst all this, news of the spinoff, or lack thereof, whose pilot recently concluded filming, has been rather sparse, so we’re always on the look for news to report about the spinoff or our dearly departed GOT itself. And right now, it looks to be an interview with the always exciting Gwendoline Christie on her road through Brienne’s arc, and some words of wisdom from a very tight-lipped Naomi Watts, on spoilers from the upcoming spinoff. Read on to check them out!

Gwen sat down with Hollywood Reporter to walk them through her identification with the character of Brienne: “I felt that my experiences as a woman, with the way that I look, and [the feeling that] my experiences of life somehow weren’t relevant and didn’t have a place, and somehow didn’t mean success. All I knew was I had an extreme emotional connection to her. I wanted to play this part because, for me as an actor, I felt like this was a character with something to say, that allowed me to speak my truth.” After revealing that she had told no one other than her partner about her self-submitted Emmy nomination, her reaction was: “I was in a taxi on my way to work, to the theater, where I’m doing a play at the moment. The phone rang, and it was my publicist. When they said I’d been nominated — well, let me tell you, I experienced every single emotion known to man.”

We all know that Gwen was a powerhouse from the day we first saw her take off Brienne’s helmet in season 2, but even more impressive was Gwen’s portrayal of the character from beginning to end: “We saw a woman who wanted to be a member of the Kingsguard, and she ends up being not just a member of the Kingsguard, but ends up as the Lord Commander of the Kingsguard. She also allows herself the opportunity to have a sexual experience, which is her choosing. She takes responsibility for any potential outcomes of it. She allows herself to be vulnerable and emotional.” Gwen is also aware of the importance Brienne has to influence the industry, in terms of the way future roles are portrayed: “I will say women often find it difficult to put themselves forward, and maybe that’s what we need to take the courage to do in order to see a greater diversity in the world. We can empower ourselves by putting ourselves forward for something we never believe is going to happen.”

Meanwhile, a couple of weeks ago, Naomi Watts dished on her mysterious new character in the upcoming spinoff, and dropped this absolute BOMBSHELL on late night:

[youtube https://www.youtube.com/watch?v=D0UM0U5zIZo?version=3&rel=1&fs=1&autohide=2&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent&w=700&h=424]

Woof. That’s a load to take in. I’m not sure I can handle that many spoilers at once. Gotta cool down for a moment. While I sit and process all that information, check out the rest of the interview with Gwendoline Christie – she had a bunch of awesome things to say about Brienne and women in the industry, in general.

The post Gwendoline Christie on the Road to her Emmy Nomination, Naomi Watts Teases Game of Thrones Spinoff appeared first on Watchers on the Wall.

Read More

The 2019 Watchers On The Wall Awards: Now accepting nominations for the final season of Game of Thrones!

WOTW AWARDS EASON 8It’s time for the 2019 edition of the Watchers on the Wall Awards, celebrating the best of the best for Game of Thrones! After every new season, GoT fans around the world nominate and choose their favorites from the latest season, from performances to dialogue and beyond. It’s up to you all to decide, and it starts now! What were your favorites of the final season?

First up, how does it work? The initial suggestions for nominees in every award category come from you! Fans and run-off voting determine which top five nominees win the final nomination in their category. The final five battle it out in each category, with readers choosing our ultimate season 8 winners. Eventually, after the voting for every category is finished, we will announce the winners in a live Watchers on the Wall Awards video ceremony packed with fun and giveaways!

For a more detailed (yes, boring) explanation of the process, jump to the Rules & Process wayyyy below.

Let’s get to it! The 2019 categories are:

Best Episode: You do NOT need to make any nominations in this category- all six episodes of season 8 go into the category final!

Your favorite leading performers, the ones who hold up the show and their storylines:

Best Leading Actress

Best Leading Actor

The supporting categories, suitable for regular/recurring Game of Thrones actors who support the leads:

Best Supporting Actor

Best Supporting Actress

It’s not always easy to decide who is a lead and who is a supporting actor on GoT, since this can change between seasons and not everyone agrees on which actor/character belongs where. We’ll use your votes as our way of deciding, with factors such as screentime to help, should there be ties.

Best Guest Actor

Best Guest Actress

Next are the guest categories, for the short-term scene-stealers who steal your attention with a limited amount of screen time. Who qualifies for this? Actors and actresses with credited appearances in 1 or 2 episodes in Season 8. *Check the performer’s credits on IMDB if you’re uncertain if they qualify. Anything longer and they’re not a guest, because it’s a short season! People nominated for this who don’t qualify will be dropped into the Best Supporting pool of potential nominations.*

We also have:

Best New Costume! Celebrating the incredible costume design work of Game of Thrones, in this category you’ll nominate your favorite new costumes from season 8! (This is one category, not divided by gender.)

Next: our quote categories celebrate the best of the words in season 8, and the dialogue’s delivery! These categories are:

All-Around Best Quote: the most brilliant and memorable quotes from the final season of Game of Thrones.

Funniest Quote: A funny/clever line of dialogue or short exchange that you find humorous.

Best Speech: what it says on the tin.

We love to award great individual scenes throughout the season, not just the Best Episode ,so we have several types:

Best Visual Effects Scene: There are many to choose from, so think long and hard. Nominate the scene that you think best demonstrated the show’s Emmy-winning effects. Be specific (not just episode titles or battle names, because battles take up half the episode sometimes) about the scene you’re choosing!

Best Death Scene: There is only one god, and his name is Death. Choose your favorite death scene from the carnage-filled final season.

Funniest Scene: An entire scene that tickles your funny bone the most.

Best Dramatic Scene: the one scene with the greatest dramatic moments of the year- heartbreaking or terrifying or exhilarating. The very best of Game of Thrones.

Action categories can present some difficulty in categorization! So we have two distinct categories- one for smaller-scale fights and skirmishes, and one for the big episode-consuming battles.

Best Fight: smaller-scale fights, 1 on 1, small groups, etc.

Best Battle: large-scale battles

As always, try to be specific! But if you’re not sure which category your choice belongs in, nominate the scene you have in mind anyway and we’ll figure it out where it belongs. It’s all in good fun! In this first stage, we want to get as much input as possible and people hate getting to the final stage and realizing their favorite scene or actor was never even nominated for something because no one remembered it/them.

Post your list of nominees in comments below, with the categories/nominees clearly labeled. You’re permitted to submit more than one nominee per category in this initial submission process. Go on and have fun, and have your choices in by Monday, August 12th, at 12PM Eastern Time!

For our newer readers, here is the complete run-down. #1 is especially important as it pertains to the nominating starting today!

(17) Helen Sloan - HBO

The Rules & Process

Phase 1- Initial Gathering of Nominees: Please submit your nominees ONLY in the Comments section below. Please make your nominations with the categories they’re for clearly labeled in Comments.

You may use more than one post, as many as you need, or if you decide to add more nominations at a later time, that’s fine. You may nominate more than one performer or scene for an award in this initial submission-gathering process!

People have very different opinions on whether an actor is supporting or lead, so it’s important to label your nominations carefully! Ultimately, a performer can win a best actor/supporting nomination in only one category, and it will be in the one in which they gained the most votes. Using the submission ballots, storylines and season 8 screen time as a guide, the determination of placing a performer into lead versus supporting will ultimately be at WotW’s discretion.


Phase 2- First round Preliminary Poll: After everyone has posted their nomination submissions, the pool of info will be sorted into categories by the WotW staff. Each category will then have a run-off poll. The top five vote-getters in each category win the nominations.

There may be some categories where they aren’t five noms to begin with. They’ll skip this round and go right to phase 3.


Phase 3- Final Round Voting: A second round of polls will determine the winner of each finalized category.


317gif

The winners of the Watchers on the Wall Awards will be announced all at once in a live party, on a date to be determined in the near future!

We’ll keep these comments open until Monday, August 12th, at 12PM Eastern Time to accept initial nominations.  We’ll count up and sort the votes, and soon after that, we’ll start the preliminary voting polls.

Put your thinking helms on and get to nominating!

The post The 2019 Watchers On The Wall Awards: Now accepting nominations for the final season of Game of Thrones! appeared first on Watchers on the Wall.

Read More